There's nothing wrong with the idea behind I, Robot (at what point do we start considering robots as living beings), but unfortunately it has all been done many, many
times before: RoboCop, Bicentennial Man, Artificial Intelligence or even Star Wars for that matter. I, Robot really does not add a single new feature to the
robot genre. The Will Smith type of jokes are starting to become tiring, and the female interest isn' t really that interesting.
What remains is some excellent special effects and a few good action sequences. Just about enough to keep me entertained for the duration of the film, but no a film to get real excited about.
This pretty spooky psychological thriller definitely made me think hard while trying to hang on to the story.
As a matter of fact, it was only a few hours after watching the film that I completely grasped what was going on. Ideally, things fall into
place just when you see the first end-titles of this kind of film, so in my opinion, this script might just be a little too complicated. Or, I'm simply not intelligent enough
to understand it, that's an other option of course (I'm hoping for the first alternative).
No matter what the script, Identity is at the least a very original psychological thriller. It plays around with the good guy / bad guy idea a lot.
At a certain point it's a complete mystery who you can trust and you can't. Add to this the suspense of the isolated motel in the pouring rain,
the numerous murders and you've got yourself a pretty exciting thriller - with a twist.
In any case, Identity kept me on the edge of my seat for most of the time. Well worth the watch.
Al Pacino stars as a detective who gets entangled in a psychopath's web, somewhere in Alaska.
Pacino's mind gets more and more foggy, since he can't sleep because it doesn't get dark over there that time of the year.
This is a very "moody" film, the Alaskan scenery works well for the film. The main attractions
are Robin Williams as a pretty credible psychopath, and most of all Al Pacino, who's made "looking-tired"
into a form of art.
Insomnia is a remake of a scandinavian film, but a very good remake at that. Well worth the watch.
Standards for computer-animated features have been set very high in recent
years. Think of the excellent two Toy Story films, the extremely funny
Shrek, or Monsters Inc. All these looked spectacular, with very
natural looking figures, that seemed to move around like real humans.
Ice Age lives up to this new standard. I thought the graphics for the
backgrounds could sometimes have done with some more details; some trees seemed
to look a bit pale and a little too smooth for my taste. The characters however
are beautifully done, and there is a breathtaking sequence where they slide
through an ice-cave at high speed.
Most of all, Ice Age is very funny. There are a few jokes aimed at the
adult audience, but mainly the humour is suitable for all ages. The ending was
a Disney-like (so sweet your fillings feel like jumping out), but on the whole
Ice Age is a very entertaining, high quality film for all the family
to enjoy.
This first film to be shot at the UN headquarters in New York City starts with an intense scene in the imaginary country Matobo. The violence shown in this scene is
brought to New York when the cruel leader of the country wants to speak in front of the UN general assembly.
The Interpreter has some interesting and very true points to make about the UN being one of the few influential organisations in search of peace, but also
about certain regimes in (among others) Africa - the country of Matobo bares a strong ressemblance to the current situation in Zimbabwe for instance.
Unfortunately, the film does not keep the same level of tension throughout its two hours. Main disturbances: too much attention is paid to the troublesome
relationship between Sean Penn (as the CIA agent) and Nicole Kidman (as the interpreter) who both make the best of their parts by the way, and most of all
Sydney Pollack should try to stay behind the camera instead of in front it. You're a director Sydney, not - I repeat, NOT - an actor.
Still there are enough exciting scenes to keep you entertained, which still makes this a very acceptable thriller. It could have been a lot better though,
with a few alterations to the script, and a lot less Sydney Pollack...
A computer animated feature about superheroes? It really doesn't sound like much of a film beforehand, but in fact, Pixar has done it again: an original ,
amazing-looking film that keeps you glued to your seat the whole time. I read a review saying that this film lacked the emotion of Finding Nemo, but
I think you can't really compare these two. That's like saying that all computer animated films should fall within the same genre: always funny, always exciting and always with
a bit of drama. Well, this is just a bit more of an action film, full of original ideas, but also borrowing heavily from all kinds of superhero (Spiderman) and spy films (James Bond).
The standard of the last few Pixar films was incredibly high, and I'm wondering how long they can keep this up. But for now, they've delivered another brilliant film, which is surely
a must-see for all the family.